Age: 15 Birthdate: February 10 Height: 170 cm (5'7") Weight: 68 kg (150 lbs) Position: 104th Trainees Squad, Scouting Legion Graduation rank: 1st  Mikasa is Eren's adoptive sister and mutual childhood friend of Armin. Mikasa shares an unbreakable bond with Eren following events in their past, and rushes to protect him whenever he is in danger. Mikasa possesses impressive fighting skill and strength even as a child.  As a teen, Mikasa is considered a genius among all the army trainees and is incredibly skilled at combat and agility. She constantly worries for Eren's well-being and lives to protect him.  When Mikasa was younger, her parents were murdered and she was taken hostage to be sold into slavery. Eren managed to find her and killed two of the three kidnappers by catching them off guard, despite only being a child. The third kidnapper discovered the scene and began strangling Eren while holding him in the air. Mikasa, trembling, grabbed Eren's knife from the floor. In that split second, Mikasa came to terms with the cruelty of the world, gaining perfect control of her own body and using that strength to kill the kidnapper in a single strike through the heart—killing him to save Eren.  In the aftermath of this trauma, Mikasa asked Dr. Jeager where she could possibly go from here. She was cold and had no place left to call home. Eren gave Mikasa his red scarf and Dr. Jeager welcomed her into their family. Because of Eren's heroics and this gesture, she feels she owes her life to the Jeagers. She continues to wear Eren's scarf from that day into adulthood, and they are inseparable.

Mikasa Ackerman

Age: 16 Birthday: March 22 Height: 153 cm (5") Weight: 54 kg (119 lbs) Affiliations: 104th Trainees Squad, Military Police Graduation Rank: 4th  Ranked 4th of the trainee class. A stoic girl, her father trained her in hand-to-hand combat. She's a solitary type, and solidarity doesn't come to her easily. She joined the Military Police under the reason that she only wishes "to survive."  Annie is a Titan-shifter, and as such, it was revealed that she is the Female Titan who killed most of the Scouting Legion members during their 57th expedition. Annie was part of a group of Titan-shifters that initially aimed to wipe out the humans inhabiting the walls until the revelation of Eren's capability to transform into a Titan forced them to change their plans on capturing him instead. She is also the culprit behind the killings of the two captive Titans that Hanji was researching.  As the Female Titan, she had attempted to kidnap Eren on numerous occasions, with the two even engaging in hand-to-hand combat in their Titan forms. She aims to capture Eren with the supposed goal of bringing him "somewhere." When she was suspected by Armin to be the Female Titan, the Scouting Legion had set up a trap to capture and interrogate her, though she was able to see through their plot which resulted in her attempting to escape. Mikasa and Eren manage to stop her from escaping, and when the soldiers tried to bring her out of her Titan form, reminded of her father, she wrapped herself inside a hard crystal thus making the soldiers unable to obtain any information from her.  Though she is affiliated with Bertolt and Reiner, she tends to isolate herself from her fellow Titan-shifters. Despite her callousness and brutality in physical combat, she has shown genuine concern and respect towards her past classmates, notably Eren and Armin. Despite her seeming disinterest toward her own combat skills, Eren has deduced that she has a great fondness for it, as evidenced by her showing interest in further teaching him her techniques. As the Female Titan, she has the unique ability to generate a hard crystalline substance to protect/cover specific parts of her body. (Source: Wikipedia)  Note: Annie Leonhart is the official English translation by Kodansha.

Annie Leonhart

 Wald is a hired thug residing in Stohess District.  Shingeki no Kyojin Wikia

Wald Richter

 Carly is a graduate student of Heinrich University and her major was chemistry. She lives in Stohess District with her father.  Shingeki no Kyojin Wikia, edited

Carly Stratmann

Attack on Titan: Lost Girls

That day, Annie Leonhart woke up in the barracks. It was the morning of her day off. The feeling of freedom doesn’t last long, for tomorrow holds her biggest mission yet: During the 57th Expedition Outside the Walls, seize Eren Yaeger.

(Source: Kodansha USA)

The horror cinematic genre is characterized by the attempt to make the viewer experience dread, fear, terror, or horror. Often their plots involve the intrusion of an evil force, event or personage, sometimes of supernatural origin, on the mundane world and the consequences thereof.

Horror

Drama is a form of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone.

Drama

Action anime usually involve a fairly straightforward story of good guys versus bad guys, where most disputes are resolved by using physical force. It often contains a lot of shooting, explosions and fighting.

Action

Fantasy is a genre of fiction that uses magic and other supernatural phenomena as a primary element of plot, theme, or setting. Many works within the genre take place in fictional worlds where magic is common. Fantasy is generally distinguished from science fiction and horror by the expectation that it steers clear of (pseudo-)scientific and macabre themes, respectively, though there is a great deal of overlap between the three (which are subgenres of speculative fiction).

In popular culture, the genre of fantasy is dominated by its medievalist form, especially since the worldwide success of The Lord of the Rings books by J. R. R. Tolkien. In its broadest sense however, fantasy comprises works by many writers, artists, filmmakers, and musicians, from ancient myths and legends to many recent works embraced by a wide audience today.

Fantasy is a vibrant area of academic study in a number of disciplines (English, cultural studies, comparative literature, history, medieval studies). Work in this area ranges widely, from the structuralist theory of Tzvetan Todorov, which emphasizes the fantastic as a liminal space, to work on the connections (political, historical, literary) between medievalism and popular culture

Source: Wiki